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This is an image from several years ago, scanned today and reinterpreted.

Originally I printed this in bright reds and blues. This time I desaturated it, darkened it somewhat and flattened the tonal range.

The result is something close to a black and white image.

I have always liked this image -- with model's back turned to the photographer, walking from the set, and cropped so that his head is not visible -- maybe because it strays from the usual, or maybe because it reveals the reality beyond the edge of backdrop.