This is an image from several years ago, scanned today and reinterpreted.
Originally I printed this in bright reds and blues. This time I desaturated it, darkened it somewhat and flattened the tonal range.
The result is something close to a black and white image.
I have always liked this image -- with model's back turned to the photographer, walking from the set, and cropped so that his head is not visible -- maybe because it strays from the usual, or maybe because it reveals the reality beyond the edge of backdrop.